i miss yellow lines in my roads
some color on monochrome
maybe i'll paint them in myself

ouvir


(matt and kim - daylight, 2008)

let me in
i'm wearing my own skin

ouvir


(stereoboy - naked, 2013)

- hábito? - pergunta. ela senta-se na cadeira da cozinha com um pano da louça na mão; ela pensa melhor com um pano da louça na mão. enquanto o retorce, olha para o chão, e depois, pela janela.
- é quando se faz algo tão frequentemente que acaba por se tornar um hábito.
- é assim em tudo?
- sim - diz ela.


(erling jepsen - a arte de chorar em coro, 2002)

hot july ain't good to me
i'm pink and black and blue
for you


ouvir


(chairlift - bruises, 2008)

- la solitude ne me pèse plus pour la première fois. le ciel semble s'éclaircir enfin... 

 
(un amour de jeunesse - mia hansen-løve, 2011)

i, i follow
i follow you 
deep sea baby
i follow you
i, i follow
i follow you
dark boom honey
i follow you

ouvir


(lykke li - i follow rivers, 2011)

 
era da cor do cacto, da cor do musgo, cor daquilo que perdura.


(karen finley - tratamento de choque, 1990)

 
oh heart
and then it falls
and then i fall
and then i know


ouvir


(grimes - genesis, 2012)

- i've just come to realize that we're only here briefly. and while i'm here, i want to allow myself joy. so fuck it. 


(her - spike jonze, 2013)

all i know
is we're together now
together now

ouvir


(baxter dury - trellic,  2011)

- we have so little time to say the things we mean. 


(restless - gus van sant, 2011)

 
era o gesto mais gracioso que tinha feito em todo o dia.


(richard yates - onze tipos de solidão, 1962)

i can be what you want
you just have to mold me right

ouvir

 
(sequin - origami boy, 2014)

estes grumos de coincidência surgem frequentemente na vida.


(mário de carvalho - a liberdade de pátio, 2013)

- a few times in my life i've had moments of absolute clarity, when for a few brief seconds the silence drowns out the noise and i can feel rather than think, and things seem so sharp. and the world seems so fresh as though it had all just come into existence. i can never make these moments last. i cling to them, but like everything, they fade. i have lived my life on these moments. they pull me back to the present, and i realize that everything is exactly the way it was meant to be. 


(a single man - tom ford, 2009)

ou, melhor dito, uma acta lavrada com o exclusivo propósito de confirmar que a melhor coisa do mundo é viajar e perder teorias, perdê-las todas.



(enrique vila-matas - dublinesca, 2010)

we break too easily
we brake too easily
you break too easily
we brake too easily


ouvir


(planningtorock - the breaks, 2011)

queima das fitas. um chorrilho de festas.

 

- but I don't think we need to talk about all our issues, you know? 


(tiny furniture - lena dunham, 2010)

é terrível a ferocidade criadora da terra. a terra gera inexoravelmente. em qualquer lugar, na extensão do tempo todo.


(herberto helder - os passos em volta, 1963)

isso.


(martha graham technique, 1938-1939)

 
- knowing that you don't know is the first and most essential step to knowing, you know? 

 
(synecdoche, new york - charlie kaufman, 2008)

 
all the sun that shines
shines for you

 
ouvir


(peaking lights - all the sun that shines, 2011)

trying to make it through the wall
trying to make it through the wall
you can see me if you're tall
you can see me if you're tall
 
ouvir

(yuck - the wall, 2011)

esta é a madrugada que eu esperava
o dia inicial inteiro e limpo
onde emergimos da noite e do silêncio
e livres habitamos a substância do tempo

25 de Abril Sempre!



(sophia de mello breyner andresen - 25 de abril, 1974)

when you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it. it's only afterwards that it becomes anything like a story at all, when you're telling it to yourself or someone else. 


(stories we tell - sarah polley, 2012)

um dia perguntei-te
- que queres de mim?
respondeste
- o teu avesso.


(marta chaves - onde não estou, tu não existes, 2009)

 

a torrente

a torrente levou tanta terra e pedras para o seu leito que teve que mudar de sítio.


(leonardo da vinci - bestiário, fábulas e outros escritos, 1482-1499)

you're sinking below

i'm using my force

(hot chip - ready for the floor, 2008)

 
i asked you to come over
and within half an hour
you were at my door
i had never really known you
but i realized that the one you were before
had changed into somebody for whom 
i wouldn't mind to put the kettle on
still i don't know what i can save you from 


(kings of convenience - i don't know what i can save you from, 2001)

são as paisagens que variam e se repetem, projectando-se nos ecrãs dos sonhos sonhados, na textura dos textos, nos quadros ainda não pintados. não perguntem porque é assim. é assim.


(jorge listopad - deslizamento,  2009)

- we are like two flowers in one pot, sometimes we don't get enough nutrients for the both of us.

 
(cutie and the boxer - zachary heinzerling, 2013)

i've been out walking
i don't do too much talking
these days, these days
these days i seem to think a lot
about the things that i forgot to do
and all the times i had the chance to


ouvir


(nico - these days, 1967)

- sometimes it's good to do what you're supposed to do when you're supposed to do it. 

 
(frances ha - noah baumbach, 2012)

i went to the woods because i wished to live deliberately, to front only the essential facts of life, and see if i could not learn what it had to teach, and not, when i came to die, discover that i had not lived.


(henry david thoreau - walden, 1854)

rompe o dia. o romper do dia. toby pesa esta palavra: eu rompo, tu rompes, ele rompe. o que é que se rompe, quando rompe o dia? é a noite?


aqui vamos nós.


(margaret atwood - o ano do dilúvio, 2009)

- fear no more the heat of the sun nor the furious winter’s rages. 
now thy worldly task is done.

muitas e boas festinhas


(an angel at my table - jane campion, 1990)

santa baby, 
slip a sable under the tree, 
for me,
been an awful good girl, 
santa baby,
so hurry down the chimney tonight

muitas e boas festinhas


(eartha kitt - santa baby, 1953)

  

we don't need no education
we don't need no thought control
no dark sarcasm in the classroom


(pink floyd - another brick in the wall, 1979)

- when dealing with aliens, try to be polite, but firm. and always remember that a smile is cheaper than a bullet. 


(district 9 - neill blomkamp, 2009)