isso.


(martha graham technique, 1938-1939)

 
- knowing that you don't know is the first and most essential step to knowing, you know? 

 
(synecdoche, new york - charlie kaufman, 2008)

 
all the sun that shines
shines for you

 
ouvir


(peaking lights - all the sun that shines, 2011)

trying to make it through the wall
trying to make it through the wall
you can see me if you're tall
you can see me if you're tall
 
ouvir

(yuck - the wall, 2011)

esta é a madrugada que eu esperava
o dia inicial inteiro e limpo
onde emergimos da noite e do silêncio
e livres habitamos a substância do tempo

25 de Abril Sempre!



(sophia de mello breyner andresen - 25 de abril, 1974)

when you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it. it's only afterwards that it becomes anything like a story at all, when you're telling it to yourself or someone else. 


(stories we tell - sarah polley, 2012)

um dia perguntei-te
- que queres de mim?
respondeste
- o teu avesso.


(marta chaves - onde não estou, tu não existes, 2009)

 

a torrente

a torrente levou tanta terra e pedras para o seu leito que teve que mudar de sítio.


(leonardo da vinci - bestiário, fábulas e outros escritos, 1482-1499)

you're sinking below

i'm using my force

(hot chip - ready for the floor, 2008)

 
i asked you to come over
and within half an hour
you were at my door
i had never really known you
but i realized that the one you were before
had changed into somebody for whom 
i wouldn't mind to put the kettle on
still i don't know what i can save you from 


(kings of convenience - i don't know what i can save you from, 2001)

são as paisagens que variam e se repetem, projectando-se nos ecrãs dos sonhos sonhados, na textura dos textos, nos quadros ainda não pintados. não perguntem porque é assim. é assim.


(jorge listopad - deslizamento,  2009)

- we are like two flowers in one pot, sometimes we don't get enough nutrients for the both of us.

 
(cutie and the boxer - zachary heinzerling, 2013)

i've been out walking
i don't do too much talking
these days, these days
these days i seem to think a lot
about the things that i forgot to do
and all the times i had the chance to


ouvir


(nico - these days, 1967)

- sometimes it's good to do what you're supposed to do when you're supposed to do it. 

 
(frances ha - noah baumbach, 2012)

i went to the woods because i wished to live deliberately, to front only the essential facts of life, and see if i could not learn what it had to teach, and not, when i came to die, discover that i had not lived.


(henry david thoreau - walden, 1854)

rompe o dia. o romper do dia. toby pesa esta palavra: eu rompo, tu rompes, ele rompe. o que é que se rompe, quando rompe o dia? é a noite?


aqui vamos nós.


(margaret atwood - o ano do dilúvio, 2009)

- fear no more the heat of the sun nor the furious winter’s rages. 
now thy worldly task is done.

muitas e boas festinhas


(an angel at my table - jane campion, 1990)

santa baby, 
slip a sable under the tree, 
for me,
been an awful good girl, 
santa baby,
so hurry down the chimney tonight

muitas e boas festinhas


(eartha kitt - santa baby, 1953)

  

we don't need no education
we don't need no thought control
no dark sarcasm in the classroom


(pink floyd - another brick in the wall, 1979)

- when dealing with aliens, try to be polite, but firm. and always remember that a smile is cheaper than a bullet. 


(district 9 - neill blomkamp, 2009)

- you're awfully isolated the way you live.
- isolated? i'm surrounded. 


(up in the air - jason reitman, 2009)

 
não gosto de contar os desastres em detalhe
mas, se quiserem, posso escrever uma lista com nomes e camas.


(golgona anghel - como uma flor de plástico na montra de um talho, 2013)

a pensar na ceia de sábado



(steve reich - music for 18 musicians, 1978)

she was so good at being in trouble
so good at being in trouble
so good at being in trouble
so good at being in trouble
so good at being in trouble
so good at being in trouble

ouvir


(unknown mortal orchestra - so good at being in trouble, 2013)

ouvir


(aphex twin - Xtal, 1992)

HIP HIP HURRA !


(new order - cerimony, 1981)

what you say, what you do
what you say, what you do

ouvir


(bot'ox - blue steel, 2010)

- i don't get her face.
- yeah, it's like she fell on it. 


(the way way back - nat faxon & jim rash, 2013)

i don't care if monday's blue
tuesday's gray and wednesday too
thursday i don't care about you
it's friday, i'm in love


ouvir


(dean & britta - friday i'm in love, 2008)

 

- do you always play by yourself?
- sometimes.
- well, maybe... maybe we could play together.
- maybe. 


(clean, shaven - lodge kerrigan, 1993)

desenvolvia esforços frenéticos para aumentar as suas esperanças de vida, operação que executava através da cultivação do tédio. na realidade, esforçava-se de tal modo para as aumentar que yossarian chegou a julgar que morrera.


(joseph heller - catch-22, 1961)

como não há interferência do elemento humano, as leis económicas funcionam como a álgebra do liceu. os ricos estão cada vez mais ricos e os outros cada vez mais falidos.


(william s. burroughs - junky, 1953)

 



could you be extraordinary? 
we're alone in this gaudy mess

ouvir


(waxahatchee - lips and limbs, 2013)

não me parece que sejamos aquilo que fazemos, embora muitos pensadores afirmem o contrário. acho que aquilo que fazemos é, muitas vezes, uma cópia empobrecida daquilo que somos - uma manifestação imperfeita de um todo muito melhor.


(donald barthelme - 40 histórias, 1987)

 
- i only get carsick on boats. 


(midnight cowboy - john schlesinger, 1969)

 



um homem e uma mulher viviam numa casa sitiada. refugiados algures na cozinha, o homem e a mulher ouviam pequenas explosões. - o vento - dizia a mulher. - caçadores - dizia o homem. - a chuva - dizia a mulher. - a tropa - dizia o homem. a mulher queria ir para casa, mas já estava em casa, ali no meio do campo numa casa sitiada.


(lydia davis - acerto de contas, 1986)

i want to be the one to walk in the sun
oh, girls just want to have fun
oh, girls

ouvir


(russian red- girls just want to have fun,  2008)

it's alright if you take your time
love will find its place in line
just kill this mood or we'll be grey
after all that was has died away

ouvir


(jacco gardner - clear the air, 2012)

a população está revoltada, frustrada, ressentida, e por boas razões. na última geração, foram levadas a cabo políticas que conduziram a uma extrema concentração de riqueza num pequeno sector da população. e esta percentagem da população lucrou estrondosamente. sobretudo o sector financeiro, os gestores de fundos de investimento privado e os directores executivos de empresas financeiras, entre outros.

!!!

(noam chomsky - occupy, 2012)

- so now we've shaken the tree. let's wait and see what falls on our heads. 


(brick -  rian johnson, 2005)

parece que estou a arribar. "a pouco e pouco edna começou a arribar". gosto da palavra "arribar", um daqueles termos náuticos que usamos sem pensar no verdadeiro significado - alcançar a costa, aportar, em oposição a deixar-se levar pelo vento, derivar.


(sam savage - as recordações de edna, 2011)

 

oh my love
we pray each day
may you come home
and be okay
for now we wait for you
for you to come home


ouvir




(amatorski - come home, 2010)

- if it's in focus, it's pornography, if it's out of focus, it's art. 


(the year of living dangerously - peter weir, 1982)