(riding pânico - rosa mota, 2017)

as it stands, i'm about to make a lot of money



(fontaines d.c. - too real, 2019)

mangini - não lhes diga isso na cara e tão alto, por amor de deus!



(luigi pirandello - esta noite improvisa-se, 1930)

- here they are again, folks! these wonderful, wonderful kids! still struggling! still hoping! as the clock of fate ticks away, the dance of destiny continues! the marathon goes on, and on, and on! how long can they last?



(they shoot horses, don't they? - sydney pollack, 1969)

 


it's only my favourite vase breaking
it's only the frozen ground shaking
it's only my opening eyes taking pictures of you


(herbert - it's only, 2001)

a vida é cumulativa, não avança em saltos qualitativos.



(pedro mexia - biblioteca, 2008-2015)

i'm guided by a signal in the heavens
i'm guided by this birthmark on my skin
i'm guided by the beauty of our weapons
first we take manhattan, then we take berlin



(leonard cohen - first we take manhattan, 1988)

- oh, tenho a certeza de que tem coisas lindas lá dentro! faz de conta que há uma maneira de o atravessar, uma maneira qualquer.



(lewis carroll - alice do outro lado do espelho, 1871)

sei um ninho.
e o ninho tem um ovo.
e o ovo, redondinho,
tem lá dentro um passarinho
novo.



(miguel torga - segredo, 1956)

la la la la
oh my poor rheumatic back
yes, yes, yes
it's my autumn almanac



(the kinks - autumn almanac, 1967)

- is it just me, or is it getting crazier out there?


(joker - todd phillips, 2019)

i think it is my duty as a journalist to ask whether we left the cave so that we may enter an even bigger cave.


(12:08 east of bucharest - corneliu porumbiu, 2006) 

ninguém sabia o que fazer com o seu tempo. não tinham nem a estrutura mental, nem o dinheiro, nem o equipamento adequados ao ócio.


(nathanael west - o dia do gafanhoto, 1939)

- are you typical of earth women?
- i'm about average.


(barbarella - roger vadim, 1968)

just remember what old jack burton does when the earth quakes, and the poison arrows fall from the sky, and the pillars of heaven shake. 
yeah, jack burton just looks that big old storm right square in the eye and he says, "give me your best shot, pal. i can take it."



(big trouble in little china - john carpenter, 1986)

queremos ser amados; à falta de amor, queremos ser admirados; à falta de admiração, ser temidos; à falta de sermos temidos, odiados e desprezados. queremos suscitar nos outros esta ou aquela espécie de sentimento. a alma tem horror ao vazio, e quer a todo o custo manter os seus contactos.

(hjalmar söderberg – o doutor glas, 1905)

(john coltrane - equinox, 1960)

well, so what?
we're young
we're thin (most of us)
we're alive (most of us)



(car seat headrest - bodys, 2011)

summer has come and passed
the innocent can never last
wake me up when september ends



(green day - wake me up when september ends, 2005)

or maybe maybe it's our nowhere towns
our nothing places and our cellophane sounds



(suede - trash, 1996)

"tinha um coração fraco", explicou o sr. pinkham.
"era previsível. sempre soubemos que isto ia acontecer."
"era o seu ponto fraco, o coração", disse a sra. pinkham.
"uma pessoa olhava para ele e percebia logo."



(denis johnson - sonhos e comboios, 2002)

(miles davis - blue in green, 1959)

summer dress makes you more beautiful than the rest



(red house painters - summer dress, 1995)

tinham inventado um símbolo para a banda, evil child of satan, que desenhavam a esferográfica nas costas dos blusões negros de cabedal (naturalmente, o símbolo não se via).


(bruno vieira amaral - as primeiras coisas, 2013)

no colors anymore 
i want them to turn black



(the rolling stones - paint it black, 1966)

- i don't drive too well when i'm asleep.



(race with the devil - jack starrett, 1975)

shape up your body 
"let's be a tree"
visual dynamics 
for you to see



(young marble giants - n.i.t.a., 1980)

talvez se tenha apercebido, então, de que os nómadas são indomesticáveis.



(bruce chatwin - na patagónia, 1977)

precisava de luz, de muita luz.



(b. traven - o visitante da noite,1928)

- daddy, you can't see what i see and i can't see what you see. so how can i know what you see?
- good question. i never thought of that. that's why we need a camera.



(yi yi - edward yang, 2000)

- you are real, right?
- i'm as real as a donut, motherfucker.



(once upon a time... in hollywood - quentin tarantino, 2019)

can't you hear, can't you hear the thunder?
you better run, you better take cover



(men at work - down under, 1981)

- can anyone explain to me why someone's got to make a profit every time you boil a kettle, every time your kid has a drink of water or every time a pensioner has a warm by a gas fire?



(riff-raff - ken loach, 1991)

- winston churchill, lawrence of arabia, elton john! you can all go fuck yourselves!



(the van - stephen frears, 1996)

- i'm sorry i missed that penalty, coach.



(bend it like beckham - gurinder chadha, 2002)

- las noches en que coinciden varios dolores, esas noches creo en dios, y le rezo. los días en que padezco sólo un tipo de dolor, soy ateo.


(dolor y gloria - pedro almodóvar, 2019)

espalho o protector solar e estendo 
o corpo no museu



(deolinda - corzinha de verão, 2016)

dentro da minha cabeça

não existe rés-do-chão

(catarina munhá – águas-furtadas, 2019)

- i'm a good swimmer.



(titanic - james cameron, 1997)

bring me the wine, my dear 
bring me some wine, my dear
bring me some wine, my dear 
bring me the wine, my dear 
and turn the television on.


(belle chase hotel - living room, 1998)

up, down, turn around
please don't let me hit the ground



(new order - temptation, 1982)

o realismo social era uma pia de cozinha. sendo que certas pias, e certas cozinhas, eram muito mais dispendiosas que outras.



(martin amis - a viúva grávida, 2010)

- what's more beautiful than life? maybe the reflections of life: a book, quartet, a film, painting, sculpture.


(model shop - jacques demy, 1969)

quero que você me aqueça nesse inverno
e que tudo mais vá pro inferno



(roberto carlos - quero que vá tudo pro inferno, 1965)

it isn't easy

words don't come easy 

to me

(f.r. david - words, 1982)

são voltas e voltas sem parar
em sonhos nocturnos
em sonhos de encantar



(entre aspas - voltas, 1993)