no colors anymore 
i want them to turn black



(the rolling stones - paint it black, 1966)

- i don't drive too well when i'm asleep.



(race with the devil - jack starrett, 1975)

shape up your body 
"let's be a tree"
visual dynamics 
for you to see



(young marble giants - n.i.t.a., 1980)

talvez se tenha apercebido, então, de que os nómadas são indomesticáveis.



(bruce chatwin - na patagónia, 1977)

precisava de luz, de muita luz.



(b. traven - o visitante da noite,1928)

- daddy, you can't see what i see and i can't see what you see. so how can i know what you see?
- good question. i never thought of that. that's why we need a camera.



(yi yi - edward yang, 2000)

- you are real, right?
- i'm as real as a donut, motherfucker.



(once upon a time... in hollywood - quentin tarantino, 2019)

can't you hear, can't you hear the thunder?
you better run, you better take cover



(men at work - down under, 1981)

- can anyone explain to me why someone's got to make a profit every time you boil a kettle, every time your kid has a drink of water or every time a pensioner has a warm by a gas fire?



(riff-raff - ken loach, 1991)

- winston churchill, lawrence of arabia, elton john! you can all go fuck yourselves!



(the van - stephen frears, 1996)

- i'm sorry i missed that penalty, coach.



(bend it like beckham - gurinder chadha, 2002)

- las noches en que coinciden varios dolores, esas noches creo en dios, y le rezo. los días en que padezco sólo un tipo de dolor, soy ateo.


(dolor y gloria - pedro almodóvar, 2019)

espalho o protector solar e estendo 
o corpo no museu



(deolinda - corzinha de verão, 2016)

dentro da minha cabeça

não existe rés-do-chão

(catarina munhá – águas-furtadas, 2019)

- i'm a good swimmer.



(titanic - james cameron, 1997)

bring me the wine, my dear 
bring me some wine, my dear
bring me some wine, my dear 
bring me the wine, my dear 
and turn the television on.


(belle chase hotel - living room, 1998)

up, down, turn around
please don't let me hit the ground



(new order - temptation, 1982)

o realismo social era uma pia de cozinha. sendo que certas pias, e certas cozinhas, eram muito mais dispendiosas que outras.



(martin amis - a viúva grávida, 2010)

- what's more beautiful than life? maybe the reflections of life: a book, quartet, a film, painting, sculpture.


(model shop - jacques demy, 1969)

quero que você me aqueça nesse inverno
e que tudo mais vá pro inferno



(roberto carlos - quero que vá tudo pro inferno, 1965)

it isn't easy

words don't come easy 

to me

(f.r. david - words, 1982)

são voltas e voltas sem parar
em sonhos nocturnos
em sonhos de encantar



(entre aspas - voltas, 1993)

- if you go fast enough, you can't see where you've come from.


(stander - bronwen hughes, 2003)

the tide is high but i'm holding on



(the paragons  - the tide is high, 1967)

havia, disse ele, vários problemas inerentes a essa ideia de oração suplicante. um deles era que geralmente ela não funcionava.


(david lodge - a vida em surdina, 2008)

 - seja como for, tenho paredes para o pendurar. é a única coisa que tenho de verdade na vida: paredes.



(michel houellebecq - o mapa e o território, 2010)

93 anos da Avó Mar. E borboletas.

on sunny beaches
take your chances


(blur - girls & boys, 1994)

rema para lá lanchinha
rema que rema lanchinha de quatro remos
se quereis alguma coisa
rema que rema lá em terra falaremos



(brigada victor jara - rema, 1979)

 



au milieu de l'hiver, j'apprenais enfin qu'il y avait en moi un été invincible



(albert camus - retour à tipasa/l’eté, 1954) 

já arranjei muito bem
tudo quanto convém
pra praia levar

o pente, o espelho, o batom
e o creme muito bom
pra me bronzear

tenho o meu rádio portátil
e o biquíni encarnado
também está no meu rol



(natércia barreto - óculos de sol, 1968)

- so what are you thinking?
- i'm thinking zombies.



(the dead don't die - jim jarmusch, 2019)

fish are jumpin' and the cotton is high

(george gershwin - summertime, 1935)

caminando 
mi cesta llena de moras
son para ti



(devendra banhart - santa maria da feira, 2005)

sim, a intensidade do instante, a vida com a duração de um instante.



(norman manea - o regresso do hooligan, 2003)

- you're weird.
- sorry.
- no, that was a compliment.


(donnie darko - richard kelly, 2001)

 

what are days for?
days are where we live.
they come, they wake us
time and time over.
they are to be happy in:
where can we live but days?

(philip larkin - days, 1953)

qué injusta es la vida
no la vida
los humanos, somos injustos


(el silencio de otros - robert bahar e almudena carracedo, 2018)

and when i awoke i was alone
this bird had flown
so i lit a fire
isn't it good norwegian wood?



[the beatles - norwegian wood (this bird has flown), 1965]

let's go out and find the ocean 
'cause i think we need a swim


(black lips - modern art, 2011)

feeling feeling feeling feeling feeling feeling feeling


(joy division - disorder, 1979)

ó meu rico s. joão

acaba com este meu tormento

e que o neurónio tenha pachorra, louvor e distinção

para pôr fim ao doutoramento

le tragique, c'est qu'une fois qu'on sait où ils vont, qui ils sont, tout reste encore mystérieux. 



(pierrot le fou - jean-luc godard, 1965)

a beleza não é vã, dizias tu. nem a ambição de mais vida.



(rui pires cabral - VHS, 2016)

entre ficar e partir nem sempre é fácil decidir


(táxi - o fio da navalha, 1982)

- as long as the roots are not severed, all is well. and all will be well in the garden.



(being there - hal ashby, 1979)