ouvir


(peace orchestra - who am i, 1999)

ouvir


(gus gus - purple, 1997)

nessun dorma! nessun dorma!
tu pure, o principessa,
nella tua fredda stanza,
guardi le stelle
che tremano d'amore
e di speranza



(giacomo puccini - nessun dorma, 1924)

...so, now that we've determined that i belong here, let's talk about you.


(running on empty - sidney lumet, 1988)

i'm not so sure the world deserves us


bom natal e bom 2012

ouvir


(morrissey - moon river, 1995)

wait a minute! wait. wait. i'm having a thought. oh yes. oh yes. i'm going to have a thought. it's coming. it's coming... it's gone.



(dick tracy - warren beatty, 1990)

"você é o inadaptado!", disse ela. "reconheci-o imediatamente!"



(flannery o'connor - um bom homem é difícil de encontrar, 1955)

what we are looking at
is good and evil,
right and wrong,
a new world order



(ministry - n.w.o., 1992)

and i told you to be patient
and i told you to be fine
and i told you to be balanced
and i told you to be kind


(bon iver - skinny love, 2008)

we don't like you.



(romper stomper - geoffrey wright, 1992)

ela era como a marilyn e só queria ser maravilhosa.
(...)
- vai dar uma volta, dizia-lhe. e ela ia, ver se chovia. enquanto ela ia e vinha - podia até dar-se o caso de não voltar - ela era maravilhosa e era isso que contava.


(sarah adamopoulos - a vida alcatifada, 1997)

it's not the years, honey. it's the mileage.



quase, quase "hip hip hurra!"


(raiders of the lost ark - steven spielberg, 1981)

you're not my only friend
not even my best
you're almost essential though
along with the rest
you're not my only sense
you're one of a few
you know when to leave alone
you show me the view


(herbert - you saw it all, 2001)

e uma pergunta como está alguém. e a outra responde "está padríssimo". ou seja, muito bom. no méxico, quando uma coisa está bem, é padre, e quando está mal é madre. o que os estudos de género não farão com isto.


(alexandra lucas coelho - viva méxico, 2010)

a luta continua.


(greve geral em coimbra - 24.11.2011)

ai, portugal, portugal
de que é que tu estás à espera?
tens um pé numa galera
e outro no fundo do mar
ai, portugal, portugal
enquanto ficares à espera
ninguém te pode ajudar


Este blog adere à greve geral.


(jorge palma - portugal, portugal, 1982)

faltam-me as palavras. faltam-me as palavras. faltam-me as palavras, escreveu repetidamente no seu caderno. e, em seguida, eu falto às palavras, eu falto às palavras, eu falto às palavras.


(lynne tillman - casas assombradas, 1987)

ah! os pós modernos
agarram na angústia
e fazem dela uma outra indústria


(gnr - pós modernos, 1986)

- nunca a tinha visto rir. ria outra vez. gosto de a ver rir.
- não me apetece rir duas vezes - disse ela.


(graham greene - o terceiro homem, 1949)

(pina - wim wenders, 2011)

we always have a choice
or at least i think we do
we can always use our voice
i thought this to be true


(morcheeba - fear and love, 1998)

what will you say
when the day comes
when it's no fun
when it's all done
when it's no fun


(lcd soundsystem - too much love, 2005)

in arizona he learned how to fix air conditioners but thought he'd develop mental illness from the tedium.



(douglas coupland - polaroids from the dead, 1996)

ora, com ou sem discurso, de vez em quando a gente se vê nessa situação: diante de estranhos que intimidam a gente (espero que a gente intimide também os estranhos, é o mínimo que posso desejar).


(clarice lispector - só para mulheres, 1960)

(2 ou 3 choses que je sais d'elle - jean-luc godard, 1967)

sat wuguga sat ju benga sat si pata pat
sat wuguga sat ju benga sat si pata pat
sat wuguga sat ju benga sat si pata pat
sat wuguga sat ju benga sat si pata pata




ouvir


(miriam makeba - pata pata, 1957)

but how can it recognize you
unless you step out into the light?



(daniel johnston - true love will find you in the end, 1984)

- in my experience, the prettier a girl is, the more nuts she is, which makes you insane.
- i like how you can compliment and insult somebody at the same time, in equal measure.



(blue valentine - derek cianfrance, 2010)

pois cada solidão, lo dice un hombre, tem os seus cem anos.



(dinis machado - gráfico de vendas com orquídea, 1999)

walk right in it's around the back
just a half a mile from the railroad track
you can get anything you want
at alice's restaurant


(arlo guthrie - alice's restaurant, 1967)

- if my father was loaded i'd ask him for some money.
- if your father was my father you wouldn't get it.




(withnail & i - bruce robinson, 1987)

ouvir



(tetris - i've said, 2001)

- where you going?
- not going nowhere.


(fish tank - andrea arnold, 2009)

naquele verão arrendámos um apartamento na praia. não era nenhuma das praias onde tínhamos vivido durante o inverno, mas para mim, já vo-lo disse algumas vezes, todas as praias são sempre a mesma praia, a minha praia.



(ignacio martínez de píson - estradas secundárias, 1996)

o pensador é o pensamento, o conhecedor é o que é conhecido, o possuidor é as coisas possuídas.



(jack london - memórias de um alcoólico, 1913)

killing in the name of!



(rage against the machine - killing in the name, 1992)

"tem calma o caralho!"



(cartaz manifestação 15 Outubro - Porto, 2011)

- nein nein nein nein nein nein!


indignem-se!!!


(inglorious basterds - quentin tarantino, 2009)

i didn't waste time,
i just walked right up and saw that
up there -- there is a sea
up there -- there is a sea
up there -- there is a sea
the sea's the possibility


(patti smith - horses, 1975)

born like this
into this
as the chalk faces smile
as mrs. death laughs
as the elevators break
as political landscapes dissolve
as the supermarket bag boy holds a college degree
as the oily fish spit out their oily prey
as the sun is masked
we are
born like this
into this
into these carefully mad wars
into the sight of broken factory windows of emptiness
into bars where people no longer speak to each other
into fist fights that end as shootings and knifings
born into this
into hospitals which are so expensive that it's cheaper to die
into lawyers who charge so much it's cheaper to plead guilty
into a country where the jails are full and the madhouses closed
into a place where the masses elevate fools into rich heroes
born into this
walking and living through this
dying because of this
muted because of this
castrated
debauched
disinherited
because of this
fooled by this
used by this
pissed on by this
made crazy and sick by this
made violent
made inhuman
by this
the heart is blackened
the fingers reach for the throat
the gun
the knife
the bomb
the fingers reach toward an unresponsive god
the fingers reach for the bottle
the pill
the powder
we are born into this sorrowful deadliness
we are born into a government 60 years in debt
that soon will be unable to even pay the interest on that debt
and the banks will burn
money will be useless
there will be open and unpunished murder in the streets
it will be guns and roving mobs
land will be useless
food will become a diminishing return
nuclear power will be taken over by the many
explosions will continually shake the earth
radiated robot men will stalk each other
the rich and the chosen will watch from space platforms
Dante's inferno will be made to look like a children's playground
the sun will not be seen and it will always be night
trees will die
all vegetation will die
radiated men will eat the flesh of radiated men
the sea will be poisoned
the lakes and rivers will vanish
rain will be the new gold
the rotting bodies of men and animals will stink in the dark wind
the last few survivors will be overtaken by new and hideous diseases
and the space platforms will be destroyed by attrition
the petering out of supplies
the natural effect of general decay
and there will be the most beautiful silence never heard
born out of that.
The sun still hidden there
awaiting the next chapter.


ouvir



(charles bukowski - dinosauria, we, 1992)

URL: http://able2know.org/topic/91839-1

madeira.
LOL.