a kiss on the hand
may be quite continental,
but diamonds are a girl's best friend



(marilyn monroe - diamonds are a girl's best friend, 1953)

sofá-cama: os sonhos ficam em baixo, a conversa em cima.

(ramón gómez de la serna - greguerías, 1960)

- c'est parce que tu fais du piano que t'es à côté de tes pompes, c'est ça ?

(de battre, mon coeur s'est arreté - jacques audiard, 2004)

o míope assemelha-se ao presbíope, só que tem os olhos maiores e uma risca ao meio. é preciso tirar-lhe os óculos para que possa cair no gratin. prepara-se como o badejo.

(roland topor - a cozinha canibal, 1986)

don’t be told what you want, don’t be told what you need

(sex pistols - god save the queen, 1977)

mas nessa altura dançavam pelas ruas fora, quais fantoches febris, e eu trotava atrás deles, como toda a vida fiz no encalço das pessoas que me interessam, porque são as únicas pessoas autênticas, para mim, são as loucas por viver, loucas por falar, loucas por serem salvas, desejosas de tudo ao mesmo tempo, as que não bocejam nem dizem nenhum lugar-comum, mas ardem, ardem, ardem como fabulosas grinaldas amarelas de fogo de artifício a explodir, semelhantes a aranhas, através das estrelas e, no meio, vê-se o clarão azul, a estourar e toda a gente exclama: "aaaah!"



com dedicatórias:
para o meu pai, um kerouaquiano
para a menina de porcelana, uma kerouaquiana sem saber
para a Ju, que, a partir de hoje, vai poder ler o blog sem barafustar que não percebe nada



(jack kerouac - pela estrada fora, 1957)

- i wish i were creative.

- you are. you're great at creating difficult situations.

(rear window - alfred hitchcock, 1954)

if i’m a spinster for the rest of my life

my arms will keep me warm on cold and lonely nights

(kymia dawson - tire swing, 2006)

i like a girl in uniform (school uniform)

i like a boy in uniform (school uniform)

i guess not everything is uniform

(the pipettes - i like a boy in uniform (school uniform), 2005)

- it's funny how the colors of the real world only seem really real when you viddy them on the screen

(a clockwork orange - stanley kubrick, 1971)

- perhaps he knew, as i did not, that the earth was made round so that we would not see too far down the road

(out of africa - sydney pollack, 1985)

- i didn't get no answers 'cause i was asking the wrong questions. you have to ask the right questions.

- like what?

- has anything you've done made your life better?

(american history x - tony kaye, 1998)

oub'lá qu'é que 'tás a fazer?
quero é que tu te bás foder!
qual é a tu'identidade?
perdi-a'í p'la cidade!
p'ra qu'é que 'tás tod'à manière?
and'a ber se faç'uma mulher!


rouba! rouba! rouba! rouba!
os que te querem bem!
rouba! rouba! rouba! rouba!
os que te querem mal!


para os pec-men e pec-women


(mão morta - oub'lá, 1987)

hey ho, let's go
hey ho, let's go
hey ho, let's go
hey ho, let's go


(ramones - blitzkrieg bop, 1976)

- what's your name, soldier?

- number two, sir!

(the dirty dozen - robert aldrich, 1967)

nellie the elephant packed her trunk

and said goodbye to the circus

off she rode with a trumpety trump

trump trump trump

(the toy dolls - nellie the elephant, 1982)

- it's my manner, sir.

- your manner?

- yes. it looks insubordinate, but it isn't really.

(lawrence of arabia - david lean, 1962)

- religions are maintained by people. people who can't get laid. because sex is the first great earthly pleasure. but if you can't get that, power is a pretty good second one. and that's what religion gives to people. power. power is sex for people who can't get or don't want or aren't any good at sex itself

(religulous - larry charles, 2008)

isn't she lovely?

isn't she wonderful?

isn't she precious?

(stevie wonder - isn't she lovely?, 1976)

me and you and you and me

no matter how they toss the dice, it had to be

the only one for me is you, and you for me

so happy together

(the turtles - happy together, 1967)

- is this the elevator?

- this is my room!

(roman holiday - william wyler, 1953)

- would you like a lolly? you're never too old for a lolly.




(the anniversary party - alan cumming & jennifer jason leigh, 2001)

you looked at him, he looked at you and you knew right away

that he had someone but he was gonna be yours anyway

(naughty by nature - o.p.p., 1991)

- elle m’a dit d’apprendre à être contente

(ponette - jacques doillon, 1996)

may the road rise with you
may the road rise with you
may the road rise with you
may the road rise with you


por lembrança d'o homem que sabia demasiado

(P.I.L. - rise, 1986)

- i use the pen, because the pen is mightier than the sword.


(bowling for columbine - michael moore, 2002)

- sometimes i sing and dance around the house in my underwear.

doesn't make me madonna. never will.

(working girl - mike nichols, 1988)

é pau, é pedra, é o fim do caminho

é um resto de toco, é um pouco sozinho

é um caco de vidro, é a vida, é o sol

é a noite, é a morte, é o laço, é o anzol

(tom jobim - águas de março, 1970)

unforgettable in every way
and forever more,
that's how you'll stay


para o meu avô

(nat king cole - unforgettable, 1951)

all numbers and no mystery

no promise of eternity

(the magnetic fields - promises of eternity, 1999)

- i don't like that kid. he smiles too much.

(L.I.E. - michael cuesta, 2001)

- actually, to tell you the whole truth, mother says that most people speak rubbish, and it's not worth it to listen
- well, that is a strong opinion




(the piano - jane campion, 1993)

yeah you're pretty good looking

for a girl

your eyes are wide open

but your thoughts have been stolen

by the boys

who took you out and bought you everything you want now

(the white stripes - you're pretty good looking (for a girl), 2000)

- you dancing?

- you asking?

- i'm asking.

- i'm dancing.

(once upon a time in america- sergio leone, 1984)

leve seja a terra

a quem não lavra, a quem não ferra

dura seja a cama

de quem não perde, de quem não se dana

(três tristes tigres - zap canal, 1996)

(nanook of the north - robert j. flaherty, 1922)

can't face this memory

how long ago one gorgeous night

we let the stars go

long ago one gorgeous night

we let the stars go

long ago one stupid night

we let the stars go free

(prefab sprout - we let the stars go, 1990)

should never have left the crystal lake

for areas where trees are fake

(grandaddy - the crystal lake, 2000)

- you live here all alone?

- yes. just me and my memories. i'm practically a hermit.

- oh. a hermit. i notice the table's set for four.

- that's nothing. my alarm clock is set for eight. that doesn't prove a thing.

(a night at the opera - sam wood, 1935)

- i was hoping winter was over

- no, it's just a thaw, winter isn't over till easter

(lars and the real girl - craig gillespie, 2007)

- we accept you, you're one of us!








(freaks - tod browning, 1932)

(...)

(sinéad o'connor - thank you for hearing me, 1994)