nellie the elephant packed her trunk

and said goodbye to the circus

off she rode with a trumpety trump

trump trump trump

(the toy dolls - nellie the elephant, 1982)

- it's my manner, sir.

- your manner?

- yes. it looks insubordinate, but it isn't really.

(lawrence of arabia - david lean, 1962)

- religions are maintained by people. people who can't get laid. because sex is the first great earthly pleasure. but if you can't get that, power is a pretty good second one. and that's what religion gives to people. power. power is sex for people who can't get or don't want or aren't any good at sex itself

(religulous - larry charles, 2008)

isn't she lovely?

isn't she wonderful?

isn't she precious?

(stevie wonder - isn't she lovely?, 1976)

me and you and you and me

no matter how they toss the dice, it had to be

the only one for me is you, and you for me

so happy together

(the turtles - happy together, 1967)

- is this the elevator?

- this is my room!

(roman holiday - william wyler, 1953)

- would you like a lolly? you're never too old for a lolly.




(the anniversary party - alan cumming & jennifer jason leigh, 2001)

you looked at him, he looked at you and you knew right away

that he had someone but he was gonna be yours anyway

(naughty by nature - o.p.p., 1991)

- elle m’a dit d’apprendre à être contente

(ponette - jacques doillon, 1996)

may the road rise with you
may the road rise with you
may the road rise with you
may the road rise with you


por lembrança d'o homem que sabia demasiado

(P.I.L. - rise, 1986)

- i use the pen, because the pen is mightier than the sword.


(bowling for columbine - michael moore, 2002)

- sometimes i sing and dance around the house in my underwear.

doesn't make me madonna. never will.

(working girl - mike nichols, 1988)

é pau, é pedra, é o fim do caminho

é um resto de toco, é um pouco sozinho

é um caco de vidro, é a vida, é o sol

é a noite, é a morte, é o laço, é o anzol

(tom jobim - águas de março, 1970)

unforgettable in every way
and forever more,
that's how you'll stay


para o meu avô

(nat king cole - unforgettable, 1951)

all numbers and no mystery

no promise of eternity

(the magnetic fields - promises of eternity, 1999)

- i don't like that kid. he smiles too much.

(L.I.E. - michael cuesta, 2001)

- actually, to tell you the whole truth, mother says that most people speak rubbish, and it's not worth it to listen
- well, that is a strong opinion




(the piano - jane campion, 1993)

yeah you're pretty good looking

for a girl

your eyes are wide open

but your thoughts have been stolen

by the boys

who took you out and bought you everything you want now

(the white stripes - you're pretty good looking (for a girl), 2000)

- you dancing?

- you asking?

- i'm asking.

- i'm dancing.

(once upon a time in america- sergio leone, 1984)

leve seja a terra

a quem não lavra, a quem não ferra

dura seja a cama

de quem não perde, de quem não se dana

(três tristes tigres - zap canal, 1996)

(nanook of the north - robert j. flaherty, 1922)

can't face this memory

how long ago one gorgeous night

we let the stars go

long ago one gorgeous night

we let the stars go

long ago one stupid night

we let the stars go free

(prefab sprout - we let the stars go, 1990)

should never have left the crystal lake

for areas where trees are fake

(grandaddy - the crystal lake, 2000)

- you live here all alone?

- yes. just me and my memories. i'm practically a hermit.

- oh. a hermit. i notice the table's set for four.

- that's nothing. my alarm clock is set for eight. that doesn't prove a thing.

(a night at the opera - sam wood, 1935)

- i was hoping winter was over

- no, it's just a thaw, winter isn't over till easter

(lars and the real girl - craig gillespie, 2007)

- we accept you, you're one of us!








(freaks - tod browning, 1932)

(...)

(sinéad o'connor - thank you for hearing me, 1994)

baby, now that i've found you

i can't let you go

(the foundations - baby, now that i've found you, 1967)

- seems like we always spend the best part of our time just saying goodbye

(a place in the sun - george stevens, 1951)

insane in the membrane

plenty insane

got no brain!

(cypress hill - insane in the brain, 1992)

- don't blind people usually wear dark glasses?

- do they? i've never seen a blind person.

(night on earth - jim jarmusch, 1991)

most of the time
i'm clear focused all around
most of the time
i can keep both feet on the ground



(bob dylan - most of the time, 1989)

caiu pela escada excessivamente abaixo

(margarida pinto - apontamento, 2005)

alors mathilde s’adosse bien droite sur sa chaise,

croise les mains sur ses genoux, et le regarde...

dans la douceur de l’air, dans la lumière du jardin,

mathilde le regarde...

elle le regarde...

elle le regarde...

(un long dimanche de fiançailles - jean-pierre jeunet, 2005)

i don't want you to be no slave,

i don't want you to work all day

(etta james - i just want to make love to you, 1961)

- always remember: don't be a sucker.

(angels with dirty faces - michael curtiz, 1938)

- couldn't you give us just a couple of minutes?

- couple of minutes? i haven't even got a couple of minutes to have my appendix out.

(blow-up - michelangelo antonioni, 1966)

- no one in this country can ever pronounce my name right. it's not that hard: na-ghee-na-na-jar. nagheenanajar.
- yeah, well, at least your name isn't michael bolton.
- you know, there's nothing wrong with that name.
- there "was" nothing wrong with it... until i was about twelve years old and that no-talent ass clown became famous and started winning grammys.
- hm...well, why don't you just go by mike instead of michael?
- no way! why should i change? he's the one who sucks.



(office space - mike judge, 1999)

- and, you know, he's got emotional problems, man
- you mean... beyond pacifism?



(the big lebowski - joel coen, 1998)

i memorize every line

and i kiss the name that you sign

(ketty lester - love letters, 1962)

haïti, never free,

n'aie pas peur de sonner l'alarme

tes enfants sont partis,

in those days their blood was still warm

(arcade fire - haïti, 2004)